Tuesday, April 2, 2019

The Ancestors



Mom always said we came from a long line. In the village, we had unending numbers of cousins to roam the ancient paths with, and to play along in the orchards and olive groves planted by our kin.

I never paid much attention to her and grandma’s chattering about the ancestors and genealogical lines. Yet, perhaps by osmosis, some of that precious history infused my soul and filled my head with stories of castles and Reginas.

Pappou Konstantas, Father’s father, an imposing giant of a man, whose palm could crush a newborn’s head, yet gentle in his toothless grin, recited old folksongs to me in the night and whispered superstitious stories.
“There’s the diamond-headed snake in the ravine,” he would say to me every time we hiked by.
“Really Pappou? Have you seen it? ” I would ask wide-eyed.
“Yes,” he would nod.
As much as I searched for the glint of the diamond on a slithering snake’s head in the reeds, I never managed to spy one, but in my mind’s eye where I still see it.

Stories ran across the fabric of my DNA and I snatched as many scraps as I could gather and folded them deep in my heart. 

When that fateful day when clocks stopped and the war separated me from my storyline, these became my inspiration and my lifeline that connects me to my severed past. The child of war held tight to the red ribbon of the ancestors and thirty years later reunited with the adult me. No longer fractured, I now write, unspooling the silk my grandmother spun at night when she talked with my mother by the light of the kerosene lamp. The long shadows danced around the room, a puppet show of our souls, and I sat, without cellphone, radio or TV, mesmerized by the lullaby of their stories.
Oh, what I would give to be there again, on the land of my ancestors, soaked with the sweat of generations before me.
The fullness of knowing the stories of your people shines a warm light in those corners of the heart where loneliness lurks.

It became strikingly clear to me while traveling in South East Asia, where people worship their ancestors, that my history makes me whole. It’s not a worship like for a god. It’s an acknowledgment and gratitude for those who paved the way.

Enjoy!

Maria

Saturday, November 3, 2018

Delacroix at the Met



Fist of all, Happy Halloween everyone! The Metropolitan Museum always does great decorative displays for each Holiday season.
It was a dreary Friday and I couldn't think of any better way to spend the afternoon than go visit my favorite Museum!

Eugene Delacroix, the iconic, eighteenth century, French painter, regarded as the leader of the French Romantic School of art, was a prolific painter during his career. He produced over eight hundred paintings, thousands of drawings and sketches and many pages of writing.
The Metropolitan Museum of Art recently held  the most comprehensive exhibits of his work. 

A self portrait said to have been made while in his forties.

 "Greece Expiring on the Ruins of Missolonghi"
This painting was displayed at an event raising funds in support of the Greek Revolution against the Ottomans.  A woman in Greek costume with her breast bared, arms half-raised in an imploring gesture before the horrible scene personifies the suicide of the Greeks, who chose to kill themselves and destroy their city rather than surrender to the Turks. At her feet, a hand reaches out through the stones, the body having been crushed by rubble. The painting serves as a monument to the people of Missolonghi and to the idea of freedom against tyrannical rule. This event interested Delacroix not only for his sympathies with the Greeks, but also because the poet Byron, whom Delacroix greatly admired, had died there.
 











I mostly displayed here the paintings that were inspired by the Greek revolution against Ottoman rule. This was happening during Delacroix's life from 1821 to 1830.
The exhibit, however, is rich with many more paintings and subjects that I have room to show here. I suggest you take yourself over to the Met and have a look for yourself!


Enjoy!
Maria

Tuesday, July 17, 2018

Howdy Folks

Hi blogosphere friends,
It's been a while since my last post but I see that my followers keep viewing my previous posts. It's just very heartening to see that the work I've done can withstand the test of time!


Speaking of withstanding the test of time, this spring, my husband and I were in one of our favorite places in Greece. Cape Sounion, which is amazing how it has withstood the test of time!



The ancient columns loom over the Aegean, which you know from my post about the Aegean myth.
The landscape around the temple is delicate, with diminutive wildflowers growing out of the rocks.
 The Bay below is a popular anchorage for yachts.

This beautiful mama bird with her brood has often been there to greet me. I suppose they nest in the surrounding cliffs.


 As her chicks roamed about, mama was always not far behind.





It's such a privilege to be able to enjoy the temples of our ancestors.

Enjoy!
A shout out to all the viewers around the world who are enjoying my blog! I'm amazed at how far reaching it is.

Maria

Saturday, July 22, 2017

Metropolitan Museum of Art -Rei Kawakubo Comme De Garcons -Art of the In-Between

This exhibit at the Metropolitan Museum is one of the most interesting takes on fashion as art.
 I wasn't able to convince my husband of that, he just couldn't see the beauty of it!
 Yet I was enchanted by the rich folds of the fabrics, the vivid colors and the fluid shapes that "dressed" the minimal mannequins.






Some of it was evocative of Beyonce's crown in her Mom video.















The exhibit surprises, delights and raises questions about fashion. I'm glad I didn't miss it!
Enjoy!
Maria